童聲回響,「聲」生不息 
Voices Ignite, Culture Unite!

Traditional Music

Role of Music:
Taiwanese Indigenous groups have a rich musical heritage. Indigenous music is a vital link to cultural inheritance, passed on through musical forms. Music is not just a form of cultural expression but rather a symbol of ethnic identity, a gateway to social cohesion, and the inheritance of traditions and faith.

Music and Festival:
In Taiwanese Indigenous, music and dancing often connect with their traditional festival. The people often hold festivals to honor nature and gods or celebrate the delightful harvest. Here are some examples of the festival with music and their significance.  

Tribes Festival Introduction of the festival Music Significance
Amis Harvest Festival (豐年祭)
Every Amis tribe holds a spontaneous Harvest Festival from mid-July to early September every year. There are certain rules for the Harvest Festival songs, and for singing them.
It cannot be used casually or practiced at ordinary times, and can only be sung during festivals.
The main purpose of the Harvest Festival is to express gratitude to God and honor the ancestors. For them, music is the link for them to express their thanks.
Bunun Igbinagan(小米播種祭)
Every year between November and December, the Bunun people hold the Igbinagan festival to pray for a bumper harvest. They sing “pasibutbut”, which means praying for a good harvest, during the festival. At the beginning of the song, there are only four parts of harmony. When the range reaches a certain level, the track will have eight different scales, which is called eight-part harmony. The people believe that the more beautiful and harmonious the chorus is when they pray, the happier the gods will be, and the more abundant the millet will be that year. Therefore, everyone sings with a pious heart.
Thao Tungkariri Lus'an(祖靈祭) Every year the first day of the eighth lunar month is the Thao people's Harvest Festival, followed by the Tungkariri Lus'an from the first to the fourth day of the eighth lunar month. The Thao people's ancestral worship songs are divided into about 28 groups. During drinking parties in each household, only one song could be danced, which is the Wa hi eti he (calling songs). The other 27 groups of songs are forbidden to sing and dance. The prohibition of the songs represents the Thao people’s respectful and solemn attitude toward their ancestors.
Tsou (Cou) mayasvi(戰祭) The festival is one of the three most important ceremonies in the Tsou people's tribal culture. This ritual reflects the historical connections between different families within the tribe and assigns distinct responsibilities to both men and women.
After the official ceremony ends, the tribe members, regardless of age or gender, join hands and, under the guidance of the elders, dance together while singing praises to the war gods and the heroic deeds of their ancestors. The dancing reminds Tsou people about their ancestors. It also united their tribes as tribe members of all ages and genders joined hands and sang together. 
Pinuyumayan 'Amiyan(年祭) The festival is a series of related ritual activities held from the end of December to January of the following year. The festival includes coming-of-age ceremonies for the boys and hunting activities. The festival is held on a rotating basis by various tribes. 
During “Vasivas”, which is the coming-of-age ceremony for teenagers, the elders from the tribe lead the boys to sing festival songs. Meanwhile, men or elders from the tribe visit the bereaved families and sing songs to relieve their worries in the process. 
In Pinuyumayan tribes, singing symbolizes unity and the inheritance of traditions. The music inhales emotional value by showing their care to the community. It also enhances the connection across generations.





Significance of Chorus

The chorus is a powerful musical representation. Through collective singing, the communities not only keep traditional songs and stories passed down but also reinforce shared values and beliefs on their way of life. For Indigenous people, the chorus enhances their self-identity and a deep sense of solidarity while creating a collective spirit. For the audience, listening involves sharing emotions and learning to accept other cultures.

1. Community Unity
People get united in the power of the chorus. Principal Bukut Tasvaluan mentioned the importance and the main concept of the chorus in our interview. He stated that Indigenous children learn to tolerate and unite different voices to create a harmonious sound during their singing. In addition, the singers try to connect with the audience through their voices. Music allows the audiences to share emotions, which is more than a specific language or culture.

2. Cultural Preservation
Indigenous people, especially children who had not grown up in the tribes, may be unfamiliar with their traditional language. Through chorus, the native language could be presented in practical and meaningful ways. The students could also learn the deeper meanings of their culture while learning to sing a cultural song.

3. Respect to Nature
As Principal Bukut Tasvaluan introduced, Indigenous choruses are usually inspired by nature, including respect and gratefulness. For the singers, singing is a connection to nature and a way to raise environmental awareness. The songs also echo the concept of the Indigenous culture including the festivals and the traditional music, which is united with nature to create harmony.